Crítica de cine: La Ciudad de Dios

La ciudad de Dios

La Ciudad de Dios

Mallory E. Páramo

Ciudad de Dios es una película brasileña, dirigida por el también brasileño Fernando Meirelles, con cuatro nominaciones al premio de la Academia, en donde varios de los actores fueron verdaderos residentes de las favelas. Está basada en hechos reales, en donde se logra evidenciar la dominación que poseen en las favelas de Río de Janeiro los grupos de crimen organizado, debido a la dependencia de las drogas que las personas tenían en la época de los sesenta, hasta la actualidad, provocando así una serie de actos violentos por parte del clan dirigido por el inescrupuloso Ze pequeño, quien está dispuesto a hacer lo que sea para conseguir dominar el mercado de drogas en todas las favelas de Río.

La cinta posee imágenes y escenas bastante crudas, en donde te muestran una idea de cómo las personas vivían sometidas al crimen, en donde las autoridades eran incapaces de actuar porque hasta ellos mismos temían por sus vidas. Considero que el fin o la idea principal de la peli es vender el tema de la violencia, pero la violencia como un estilo de vida, porque las personas se terminan acostumbrando a ella y tarde o temprano les parece algo normal.

Aparte de la violencia, se pueden identificar algunos temas de trasfondo, como por ejemplo: la superación, ya que algunos de los residentes de las favelas son jóvenes que no están dispuestos a vivir sus vidas en la calamidad y con tanta violencia y es por eso que estudian porque sus sueño es salir algún día de ese lugar, el caso más evidente es el de Buscapé, un niño que a pesar de tener a un hermano ladrón y de consumir marihuana solo por enamorar a una chica, logra convertirse en fotógrafo para el periódico.

Personalmente creo que es una historia muy bien contada porque no es de la típica forma lineal y sencilla, la verdad es que aún no logro identificar en qué forma se cuenta la peli, pero esa es una característica del cine independiente o del cine artístico, la de hacer pensar al espectador, para lograr descifrarla.

El tema de la imagen y el sonido, los escenarios, el ambiente, la iluminación y el vestuario también tienen una gran participación en esta producción, ya que le dan sentido a la misma, sin estos elementos una película como esta perdería credibilidad, además el hecho de utilizar actores novatos y que ya hayan vivido esta realidad, le da ese toque especial.

Finalmente, a través de esta cinta, llegue a la conclusión de que la violencia puede convertirse en un círculo vicioso y de que las personas somos los seres más crueles en la faz de la tierra, pero es de nosotros de quien depende el futuro de este mundo, tenemos dos opciones: seguir fomentando y creando violencia o podemos evitarla y alejarnos de ella, así como lo hizo Buscapé, al intentar cumplir sus metas olvido ese entorno tan corrupto en el que vivía; nadie es tan pobre como para no soñar y nadie es tan perezoso como para no querer cumplir su sueño.

La ciudad de Dios

La ciudad de Dios

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